Color Lumens and White Lumens
In the image above, the projected image on the left is from a 3LCD projector (that just happens to be a much less expensive Epson), the one on the right, from a single chip DLP projector (a Mitsubishi). Both projectors were in their brightest modes). No wonder that 3LCD and LCoS projector makers love to pick on single chip DLP projectors that use color wheels, especially those with clear slices on the color wheels. Why is this important? Well, if you don't have as many color lumens as white lumens, things can never be fully right.
Short version is that Epsons including this one, offer an equal amount of color and white lumens, while some projectors offer a lot of white, but can't muster up as much color. For openers, that makes colors harder to see if there's ambient light.
As a result, many DLP projectors with such color wheels measure lots of white lumens in their brightest modes, but typically have a real problem producing a decent red or yellow in those brightest modes. Over the years, even before the new Color Lumens standard was established in 2012, we had shown and discussed the these differences in many reviews, going back about a decade.
Often with projectors without lots of color lumens, you have to surrender as much as 50% of total brightness to end up with reasonably good reds and yellows. But those whites are bright. Of course, 3LCD and LCoS projectors don't put their best colors up, in brightest mode, but most will have some good looking color, just 10-15% below maximum brightness.
One result, therefore, of not as many color lumens, is that in a picture (projector in bright modes) let's say there's a bright scene, and a balloon that's supposed to be almost pure red in color. With low color lumens, the balloon would definitely not appear to be as bright as it should, and likely not as pure red. For those interested, we created a video to demonstrate the color vs white lumen issue (the image above is from that video), so for those interested, click on Color Lumens!
Although we only measured color lumens for our video and a few other times, this Epson does have good, saturated color in all of its modes. The brightest mode (Dynamic) is the least accurate in terms of color, but still not bad at all, capable of respectable reds and yellows, just a bit too much green. The other color modes, all more accurate/better balanced, are within 20% or so of the brightness of Dynamic mode.