Indicators for Power, lamp status and temperature (if overheating) surround the Power button. In the rear left corner, diagonally behind the control panel, is the cover for access to the lamp. Having the cover on top of the 1965 allows for easy access even if the projector is ceiling mounted. The screw to release the cover is on the rear of the projector. Moving to the right (again facing the front) side of the projector, there is an intake vent and air filter near the front and the built-in speaker toward the rear. Like the lamp compartment, the air filter can be easily accessed even if the projector is ceiling mounted. The wireless module is plugged into a jack above the air filter
Setup and Menus
The Epson Powerlite 1965’s startup time is the same as other previously reviewed Epsons, which means a readable image is projected on the screen in about ten seconds. The 1965 also has instant shut down as well, so the projector can be moved immediately after shutdown. Setup is quick and facilitated by the front and rear height adjustment, as well as the 1.6X zoom. Also, like other Epsons we’ve reviewed, the bottom of the projected image is right at the center of the lens when table mounted, so keystone correction can mostly be avoided by placement on a table that’s equal in height or slightly lower than the bottom of the screen. If you do need some keystone correction, the 1965 has both vertical and horizontal keystone adjustment, as well as Epson’s Quick Corner feature, a staple on most of their multimedia projectors. Simply put, Quick Corner allows you to adjust each corner of the projected image independently, as opposed to normal keystone adjustment which affects the full length of any side of the projected image. If you’re pressed for time, Epson’s Screen Fit feature will automatically fit the image to the screen. As with any digital manipulation of the image, the sharpness and precision of the image can suffer with overuse, but by affecting a smaller area, using Quick Corner has less of a negative effect as compared to traditional keystone adjustment. In addition, there is a focus screen that can be displayed to help you focus the lens to achieve maximum sharpness (see picture).
Bringing up the menu, anyone who’s ever used a recent Epson projector will immediately find themselves in familiar territory. The menu system in Epson projectors is pretty much the same in each model, with the only differences relating to the feature set of the particular projector. Menus are well organized, and easy to navigate. Once set up and connected to an image source, you simply bring up the menu; select the Image menu and the Color Mode (Dynamic, Presentation, Photo etc.) that’s appropriate for your presentation. From there you can also make the usual adjustments for Contrast, Brightness, Color Saturation, Tint and Sharpness. The 1965 also features full grayscale adjustment and a color management system for precision calibration of the picture. Additional adjustments can also be made, such as selecting other color temperatures and turning the auto iris (for increased contrast in darker scenes) on or off.
Epson PowerLite 1965 Menus