The AWOL Vision LTV-2500 is a 4K ultra-short throw projector with a suggested retail price of $2,999. It is AWOL Vision's least-expensive projector, but with the exception of brightness, it offers similar picture quality and features as their higher-end models. The projector utilizes a DLP (.045” DMD) with XPR to display 4K UHD (3840 x 2160) onscreen resolution. All AWOL Vision projectors have the same high-quality Ricoh Ultra-Short Throw lens assembly, designed to deliver a sharp edge-to-edge image on screens from 80 to 150 inches.
It uses a tri-laser laser light source that can deliver a rated brightness of 2000 ANSI lumens (2600 Peak lumens) and produces 107% of the BT.2020 color gamut. While it is not as bright as AWOL Vision’s other Laser TVs, the LTV-2500 can deliver a sharp color picture in a room with low to moderate ambient light.
AWOL Vision LTV-2500 Specs | |
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Price | $2999.00 (MSRP) |
Technology | DLP (0.47" DMD) w XPR |
Displayed Resolution | 3840 x2160 |
Brightness (Manufacturer Claim) | 2000 ANSI Lumens (2600 Peak Lumens) |
Light Source | RGB triple laser |
Contrast | 2,500:1 |
Zoom Lens Ratio | Fixed |
Lens Shift | No |
Lamp Life | 25,000 Hrs |
Sound System | 36w stereo |
Weight | 21 lbs |
Warranty | Two (2) Years |
AWOL Vision introduced the first Laser TV about five years ago and has become one of the leading Laser TV manufacturers. We have viewed a couple AWOL Vision projectors and have always been impressed with their performance and features. One of the things that sets AWOL Vision apart from the competition is their focus on delivering complete entertainment solutions, which includes projectors and a wide range of screens and cabinets.
The AWOL Vision LTV-2500 offers 4K resolution, laser light source, and 2000 ANSI lumens of brightness. With a retail price of $2,999, the LTV-2500 is one of the least expensive Tri-laser equipped Laser TVs, but it still delivers excellent picture/sound quality and is packed with advanced features. The AWOL Vision LTV-2500 is ideal for those who want a cinematic experience in their living room without the need for a dedicated dark room.
Many Laser TVs utilize similar components and platforms, so it is the manufacturer's engineering expertise that distinguishes one from another.
The AWOL Vision LTV-2500 uses many of the same parts available in its other Laser TV models. For example, the LTV-2500 has a NICHA RGB laser diode light source and a state-of-the-art Ricoh all-glass lens. Premium components combined with great picture tuning result in excellent picture quality.
AWOL Vision has always been one of the first projector companies to incorporate the latest technologies, including Tri-Laser light sources, better optics, and features like Dolby Vision and HDR 10+ and they continue that tradition with the LTV-2500.
A new Enhanced Adaptive Black Level feature increases native contrast to 2500:1, designed to deliver brighter highlights and more shadow detail when viewing SDR and HDR content.
The LTV-2500 also includes a 24 FPS mode designed to replicate the experience of viewing a film shot at 24fps (frames per second) in a professional movie theater so viewers can enjoy an immersive cinematic-looking image in their homes.
In addition, the LTV-2500 also supports 3D video playback, which most flat-panel TVs do not. AWOL Vision also includes two pairs of active 3D glasses in the package for convenience.
The LTV-2500 Pro ships with an Amazon FireStick 4K Max dongle, which gives you access to a wide range of streaming services and supports Dolby Vision, HDR 10, HDR10+, and Dolby Atmos audio.
The LTV-2500 is an entry-level model in the AWOL Visions projector lineup. Except for brightness, the unit's picture quality and features are nearly identical to those of the higher-end models. The chart below highlights the differences.
AWOL Vision Laser TV Model Comparison | |||
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Model | LTV-3500 Pro | LTV-3000 Pro | LTV-2500 |
Price (SRP) | $5999 SRP | $3999 | $2999 |
Brightness | 3300 ANSI Lumens | 2400 ANSI Lumens | 2000 ANSI Lumens |
Light Source | Tri-Laser | Tri-Laser | Tri-Laser |
Displayed Resolution | 3840 x 2160 | 3840 x 2160 | 3840 x 2160 |
Native Contrast | 2500:1 | 2500:1 | 2500:1 |
Len Assembly | Ricoh F2.0 | Ricoh F2.0 | Ricoh F2.0 |
Dimensions | 23.6" x 13.9" x 5.7" | 23.6" x 13.9" x 5.7" | 23.6" x 13.9" x 5.7" |
Weight | 23.8 lbs | 21 lbs | 21 lbs |
Stepping up from the award-winning LTV-3000 Pro provides more brightness, which is beneficial when used in a room with higher ambient light, especially on larger screens. AWOL Vision offers three ultra-short throw projectors. The LTV-2500 can be purchased as an individual component or as part of a complete entertainment system with a screen and cabinet.
For my previous review of the LTV-3500 Pro, AWOL Vision provided me with a 120-inch motorized floor-rising screen ($2,299 MSRP) outfitted with ambient light-rejecting material. They also sent a cabinet design to hold an AWOL Vision projector and the screen called the AWOL Vision Station ($1199 MSRP).
Since the LTV-2500’s size and throw distance are similar to the LTV-3500 Pro, I also used the AWOL Vison system during this review. One of the station's benefits is that the cabinet positions the AWOL Vision projector ideally so the image is perfectly aligned with the screen. The projector, cabinet, and screen are designed to work together, ensuring optimal picture quality and a simplified setup.
During my review, I evaluated the LTV-2500 in both my living room and my home office/lab. The AWOL Vision system setup in my living room was under low to moderate ambient light and the cabinet was placed in front of a large bay of windows overlooking my back yard. The LTV-2500 was bright enough to deliver a good-looking image even during the day.
One of the major advantages of the uprising screen and the low-profile cabinet is that the system disappears when the system is switched off, so my views of my backyard were not impeded. The motorized screen is designed to rise automatically when the LTV-2500 is turned on.
The LTV-2500 is AWOL Vision's least expensive model, yet it is still one of the most full-featured and technologically advanced UST projectors available. You would be hard-pressed to find another Laser TV at the same price point that includes more technologies/features than the LTV-2500. When it comes to color accuracy, black level, and image detail, it is one of the best-looking sub-$3,000 Laser TVs.
Cosmetically, the LTV-2500 looks nearly identical to the LTV-3000 Pro and LTV-3500 Pro that we reviewed, but it is slightly lighter. The unit measures 23.6 x 13.9 x 5.7 inches and weighs around 21 pounds.
The front of the projector holds the speaker system, an LED status light, an IR receiver, and an Ambient light sensor. The unit's chassis has no controls except for a Power On/Off button on the top right side. The intake and exhaust vents are on the sides of the chassis.
The projector's rear panel contains an array of inputs and connectors, including two HDMI ports (one supporting eARC), USB ports, optical audio output, and an Ethernet port.
A compartment hidden behind the panel also houses a third dedicated HDMI input for the streaming stick and an additional USB power supply port, so there is no need for Fire TV’s AC adapter.
The HDMI ports support ALLM (Auto Low Latency Mode), so the projector can automatically switch to Game Mode when gaming content is detected. This makes it an excellent choice for gamers seeking minimal input lag.
All AWOL Visions projectors, including the LTV-2500, utilize the same high-quality lens assembly. It is a fixed 0.25:1 throw ratio lens optimized for ultra-short throw projection. The projector can display a 100’ image about 10 inches from the screen.
The high-quality Ricoh F2.0 lens assembly includes power focus and delivers good edge-to-edge sharpness during testing on my 100” and 120” screens. The LTV-2500 can be utilized with 80" to 150" screens. Below is a graph showing throw distance based on screen size.
The silver plastic remote control includes common buttons for power, input selection, and volume control. In addition to these more standard controls, AWOL Vision has added direct buttons for brightness, sound, file explorer, and network functionality. The LTV-2500 has a built-in media player, which can also be controlled using the projector’s remote control.
The projector is bundled with an Amazon Fire Stick, which includes its own remote. You will need to use both remotes during the initial setup. Once the projector and Fire Stick 4K Max are configured, you can use the projector’s remote to control both via HDMI CEC (Consumer Electronic Control). While you can use one remote most of the time, you must grab the other remote to make some adjustments. For example, you need to use the Home button on the FireTV remote to access the dongle’s App Home page directly.
All AWOL Vision projectors, including the LTV-2500, use an Android 0S 9.0-based menu system. The projector’s settings menu is intuitively designed, with a well-organized layout that makes navigation straightforward. It offers detailed picture adjustment settings, including White Balance, Color Temperature, and a comprehensive Color Management System (CMS). Users can easily fine-tune the image to their preferences, ensuring the best possible viewing experience. Except for a media player and casting, the LTV-2500 does not have many built-in smart features.
The LTV-2500 is bundled with an Amazon FireStick 4K Max, which allows you to access a wide range of streaming services, smart apps, and Amazon Alexa. The Amazon FireStick 4K Max dongle features a powerful quad-core 1.8 GHz processor, and I noticed that apps started faster and ran more smoothly than many smart projectors I reviewed. The FireStick 4K Max also supports Dolby Vision, HDR 10, HDR10+, and Dolby Atmos audio.
Since the Amazon dongle can be easily replaced with a newer version, the LTV-2500’s smart capabilities can be easily upgraded.
The LTV-2500 includes several preset picture modes: STANDARD, VIVID, SPORT MOVIE, GAME, and USER. I just finished reviewing the LTV3500 PRO, and I had the opportunity to compare it with the LTV-2500. The projectors delivered similar color reproduction, and the characteristics of their picture modes were nearly identical.
The STANDARD and MOVIE were the most accurate picture modes out of the box. When the two modes are compared, MOVIE is slightly warmer than STANDARD. The other picture modes produced an even cooler blueish image, which might be beneficial for balancing the effect of warm room lighting.
The USER mode usually is one of the most accurate, but this projector is different. While most video enhancements are often switched off in a projector's USER mode on the AWOL Vision projector, they are on. It would be great if the USER mode offered the same image quality as the MOVIE or STANDARD modes because it would make it a much better starting point for professional calibration.
Like the LTV-3500, bright colors on the LTV-2500 appeared overly saturated in most picture modes when viewing SDR content. This is especially noticeable when viewing bright colors. Since the Wide Color Gamut setting is engaged in the USER mode, colors are more saturated and vibrant than in the MOVIE mode.
If you want to make quick BRIGHTNESS, CONTRAST, and SHARPNESS adjustments to improve the picture quality of your projector in your room, there are several free test patterns available on the Murideo website and their YouTube channel. Murideo also has written instructions in the resource section of its website. Also, check out our YouTube video on utilizing several test patterns called Optimize The Image of a Projector or TV Using Free Murideo Test Patterns.
I used Portrait Displays Calman color calibration software to measure the color accuracy of the LTV-2500 before and after adjustment. Since your room and screen material significantly impact the overall picture, we don't recommend using someone else's calibration adjustments. If your room is brighter/darker or your walls are a different color, your settings would probably be different.
I chose STANDARD mode, but like most of the preset picture modes, the basic user settings are greyed out, so you can’t adjust Contrast, Brightness, Sharpness, Tint, or Gamma. You can adjust RGB Balance, and there are CMS controls.
When I measured the STANDARD mode, its color temperature was close to my target of 6500K. The Gamma measured 2.0 which is fine because the LTV2500 will probably be utilized in environments with some ambient light. However, this is brighter than my normal target of 2.2, so black levels appear elevated when viewed in a dark space.
Like most Tri-laser-equipped projectors, bright colors appear overly saturated in most picture modes when viewing SDR content. This is especially noticeable when viewing bright colors
My Saturation Sweep measurements confirmed that many colors were wildly oversaturated. This is a common issue with Tri-laser-equipped projectors, but it does make colors look more vibrant under ambient light.
I switched the projector to its USER mode to adjust Contrast, Brightness, and Gamma. Setting the Gamma to the Middle and reducing the Brightness resulted in a Gamma of 2.2. I also turned off the Dynamic Contrast and Enhanced Black Level features.
In USER mode, the RGB balance was not as good as STANDARD, but I used the projector’s White Balance adjustment to achieve a good RGB balance. After the adjustment, the color temperature was very close to my target of 6500K.
To improve the projector’s SDR color tracking, I switched the Wide Color Gamut setting to Off and utilized the unit Correction (CMS) adjustments to correct the oversaturation and hue shift. Some bright colors need to be slightly undersaturated to achieve the best overall color reproduction.
When the Wide Color Gamut setting is engaged, colors are more saturated and vibrant than in the MOVIE mode. While this is inaccurate, the look may be preferred when viewing content in a room with moderate ambient light.
When evaluating color reproduction, a Delta E measurement of 3 or less is considered ‘Excellent’ and imperceptible by the human eye. In Movie mode the out-of-the-box White Balance had a Delta error of around three which is very good. After adjustments, the Grayscale and Color Tracking Average Delta E measurements were both less than 2, which is excellent. While the LTV2500 did a much better job tracking most colors, some brighter colors were slightly undersaturated after adjustment.
Overall, the out-of-the-box performance was better than most laser TVs we reviewed, but the most accurate preset picture modes do not include all the adjustments needed to finetune them
During my reviews, I discovered that oversaturated colors are a common characteristic of Tri-Laser-equipped projectors. While this is inaccurate, the look may be preferred when viewing content in a room with moderate ambient light. Overall, the projectors' out-of-the-box picture quality was better than that of many Laser TVs, so most Laser TV customers would be more than satisfied with the LTV-2500 picture quality.
The LTV-2500 is compatible with all four major HDR formats: HDR10, HLG, HDR10+, and Dolby Vision. The projector's support for HDR10+ and Dolby Vision is particularly noteworthy. These formats use dynamic metadata to optimize the picture quality on a scene-by-scene basis.
The most accurate HDR mode when viewing HDR10 is either HDR MOVIE or HDR STANDARD. Out of the box, the Movie mode has the Enhanced Black Level and Dynamic Contrast enabled, and the Color Temperature is set to HOT, so the image looks warmer.
Like the SDR picture modes, the HDR pitch modes do not give you access to the basic user settings. If you want to adjust Contrast, Brightness and Sharpness, you must select the HDR USER mode. However, you can adjust the Color Temperature and CMS in mode.
When set to HDR MOVIE mode. the color tempertaure and RGB balance was very good. Before adjust we measured a Grayscale dE of around 3 which is very good. After adjustment, the Grayscale dE was less than 1 which is outstanding.
When viewing HDR10, the projector's defualt tone mpping curve did a good job. However ,if want to adjust HDR tone mapping manually you can use HDR BRIGHTNESS to change the brightness level based on the movie or scene being played.
There are three Dolby Vision preset picture modes which are DOLBY VISION DARK, DOLBY VISION BRIGHT, and DOLBY VISION VIVID. The color temperature of the mode looked the same. The main difference is the tonemapping curves have been tweaked to fit different lighting envirnoments.
AWOL Vision lists two different brightness specifications, peak lumens, and ANSI lumens. To fairly compare the brightness of one projector to another, we usually focus on a projector's ANSI lumen measurement. Using industry standard specifications (ISO 21118:2020) for brightness claims, the LTV-2500 has a rated brightness of 2000 ANSI lumens.
To get a good approximation of the projector’s maximum brightness, I selected the USER picture mode, which appeared to be the brightest mode, and switched the Light Mode to BRIGHT, the highest laser output setting.
According to our measurements, the LTV-2500 produced a brightness of 2287 ANSI lumens which exceeds the projector's rated ANSI brightness and is only slightly lower than its peak lumen rating.
When evaluating the LTV-2500, I use the 120” AWOL Vision ALR screen most of the time. The LTV-2000 was bright enough to deliver a good-looking image even under low ambient light. The LTV2500 includes light output settings, including Bright, Standard, Soft, and a customizable User mode. When the Intelligent Light Sensing feature is engaged, the projector automatically adjusts the laser source output power according to the ambient light in the room.
Those who want to utilize their projector with a larger screen or under higher ambient light should consider stepping up to the brighter LTV-3000 PRO. Also, extra brightness is beneficial when viewing HDR since less aggressive tone mapping needs to be applied. This results in good screen brightness without having to sacrifice much highlight detail. Also, 3D content typically appears darker than regular material, so more brightness is helpful.
The projector's Tri-laser light source delivers high brightness and vivid colors, making the LTV-2500 a good option for someone looking to replace their flat panel with a Laser TV.
I have found that AWOL Vision Laser TVs, like the LTV-2500, offer better black-level performance than most ultra-short throw projectors I review. The projector’s rated native contrast is a respectable 2500:1 so the LTV-2500 did a good job displaying subtle details in the dark areas of the screen.
The LTV-2500 also includes dynamic laser dimming, which gives it a 1,000,000:1 contrast ratio. So, while the LTV-2500 could not match the deep blacks delivered by a 3-chip LCD or LCOS Projector, I was still pleased with the contrast and blacks, considering it was a single-chip DLP projector.
Most Laser TV customers’ rooms are not darkened home theaters. The LTV-2500 is designed for use in spaces with some ambient light. In those situations, a bright image with vibrant colors is more important than the deepest blacks.
I used my Panasonic UDP-9000 UHD Blu-ray, Kaleidescape, and the unit’s Amazon FireStick 4K Max to test a wide range of HDR (High Dynamic Range) content encoded in HDR10, Dolby Vision and HDR10+.
The LTV-2500 includes several preset HDR picture with the most accurate being HDR MOVIE followed by HDR STANDARD. I preferred HDR MOVIE over HDR STANDARD mode because skin tones looked alittle more natural.
When viewing HDR10 material you can adjust the onscreen brightness level based on how the scene or movie is mastered, an HDR setting changes the projectors' HDR EOTF (Electro-Optical Transfer Function). There are HDR tone mapping options: Low, Middle, High, and Auto. I left the projector in the AUTO setting when watching most HDR10 content except for material mastered at 4000nits or above. However, you will sacrifice some onscreen brightness or flatten the contrast to maximize the picture's highlight detail.
AWOL Vision Laser TVs were some of the first projectors to support Dolby Vision. The LTV-2500 includes three Dolby Vision presets: DOLBY VISION DARK, DOLBY VISION BRIGHT, and DOLBY VISION VIVID. When viewing Dolby Vision and HDR-10+, which contain dynamic metadata, all AWOL Vision projectors do a good job automatically adjusting their HDR tone mapping curve based on the movie/scene.
Factors such as screen size and gain impact the overall brightness of a projection system. To optimize the picture quality of Dolby Vision material, the maximum onscreen brightness needs to be calculated and factored into the Dolby Vision tone mapping algorithm. Therefore, there is a setting in the Advance Menu where you can input your projection screen size and its gain. will ensure that you're getting the best possible Dolby Vision experience.
DOLBY VISION DARK made the overall scene brighter, but DOLBY VISION BRIGHT made highlight details more visible. Dolby Vision did a noticeably better job maintaining highlight details in content mastered above 1000 nits than projectors' HDR10 tone mapping. The images above are screenshots from the Spears and Musil UHD Benchmark test disc that I used to compare HDR10 content mastered in 4000 nits to Dolby Vision. The details in the bright area are more visible in Dolby Vision.
Dolby Vision and HDR10+ material containing dynamic metadata, the LTV-2500 did an excellent job automatically adjusting its HDR tone mapping curve based on the movie/scene. To get the most out of Dolby Vision, the projector needs to know the maximum brightness of your screen.
The AWOL Vision LTV-2500 also supports HLG (Hybrid Log-Gamma), the HDR standard developed for live broadcast, so you are all set to enjoy sports and award shows when the networks start broadcasting in HDR. While the content mastered in Dolby Vision looked better, I was pleased with the picture quality of HDR material, regardless of the format in which it was mastered.
The LTV-2500 has a dedicated game mode which, when combined with the projector's HDMI 2.1 inputs, provides an optimized gameplay experience. The projector's HDMI inputs support ALLM, so the projector can automatically switch to Game Mode when gaming content is detected.
Low input lag is important when playing first-person shooter games, where slow response time can make all the difference between living or dying. When playing fast action games on LTV-2500, I didn’t experience any noticeable input lag. The LTV-2500 rated latency is 15ms when playing games at 4K/60p. When playing games in 1080P, input lag could be as low as 8 ms at 120fps.
Many modern games also support HDR, including Dolby Vision and HDR 10+. The projector's outstanding HDR performance ensures you see details in dark and bright areas of the screens, so you see your enemy in the game before they see you. It also helps roleplaying and adventure games look more lifelike.
The LTV-2500 has a good built-in sound system that outperforms most UST projectors. The system includes four front-facing speakers and 36 watts of power to deliver surprisingly good audio, comparable to a quality budget soundbar (minus a subwoofer).
All AWOL Vision projectors feature Dolby Atmos decoding and DTS Virtual X support, creating a wider, more immersive soundstage despite having only two channels. While it may not replace a dedicated surround sound system, the LTV-2500 audio quality is far better than any flat-panel TV.
For those who want to connect an external surround system, the LTV-2500 includes a new Auto Center Channel Mode feature. This feature allows you to utilize the projector's built-in speakers as a powered center channel. This is great because center channel speaker placement is often challenging when using an ultra-short throw projector.
The LTV-2500 can also be used with the new AWOL Vision True Wireless 5.1.2CH Dolby Atmos Home Theater Sound System to deliver high performance in a true “plug and play” easy-to-setup package. Because this multichannel system is truly wireless, there is no need to deal with awkward and unsightly speaker cables. The Vision system is compatible with the latest immersive surround sound formats and supports 5.1.2 Dolby Atmos/DTS:X decoding. Their new sound system is compatible with AWOL Vision projection systems and works with other projectors and TVs.
We don't measure noise level, but the LTV-2500 is rated at 27dB in Standard Light Output mode. The projector was positioned just a few feet away from me in my media room, and I never found the fan noise distracting, even when watching quiet scenes.
With a retail price of $2,999, the LTV-2500 is AWOL Vision's least expensive Laser TV, but its build quality and performance are excellent. The LTV-2500 utilizes many of the same components as AWOL Visions' high-end model.
While the LTV-2500 is not as bright as the other AWOL Vision projectors, it is equipped with a Tri-laser light source that can reproduce over 100% of the BT2020 color gamut while delivering 2000 ANSI lumens (2600 Peak Lumens) of brightness. The projector is bright enough to deliver vibrant images on screens up to 120” even under low ambient light.
The AWOL Vision LTV-2500 includes high-quality optics that deliver a detailed 4K image. The Ricoh F2,0 lens assembly also offers motorized focus, which ensures excellent edge-to-edge sharpness on screens ranging from 80 to 150 inches.
The LTV-2500 supports several HDR formats, including Dolby Vision, HDR10+, HDR10, and HLG. It is one of the only projectors on the market with Dolby Vision, and HDR content displayed in this format looks noticeably better than in HDR10.
The LTV-2500 also supports 3D playback, so those with 3D movies can use their catalog. The unit even ships with two pairs of active shutter 3D glasses; additional glasses are available on the AWOL Vision website. You can also purchase compatible DLP-LINK 3D glasses from sites like Amazon.
The projector has a high-quality 36-watt stereo system that supports Dolby Atmos and DTS Virtual X, which delivers a more immersive audio experience.
The LTV-2500 can be used with the new AWOL Vision True Wireless 5.1.2CH Dolby Atmos Home Theater Sound System for users who desire even better sound. The Vision system is compatible with the latest immersive surround sound formats and supports 5.1.2 Dolby Atmos/DTS:X decoding.
The multichannel system is wireless, so there is no need to deal with awkward and unsightly speaker cables. It delivers high performance in a true “plug and play” easy-to-setup package.
The projector is bundled with an Amazon Fire TV Max, so you can stream content and access apps directly through the projector. You also use your voice search for apps and control certain features via Amazon Alexa or Google Assistant.
In Gaming Mode, the projector input lag can be as low as 8ms, ensuring a smooth and responsive gaming experience. Since the LTV-2500 includes HDMI inputs that support ALLM, the projector will automatically switch into Game Mode when gaming content is detected.
The AWOL Vision LTV-2500 delivers excellent image quality and includes many advanced features. It would be a great option for a dedicated media room or any living space. For those who desire more brightness, you can step up to the award-winning AWOL Vision LTV-3000 Pro, which can deliver 2400 ANSI Lumens (3000 Lumens).
Hisense PX2-Pro $2999 MSRP
Anyone looking at a projector in the same price range as the LTV-2500 might also consider the Hisense PX2-Pro which also retails for $2999. While the LTV-2500 is bundled with an Amazon Fire TV Max, the PX2-Pro smart features are fully integrated into it operating system so you don’t have to juggle multiple remotes.
The PX2-Pro and LTV-2500 utilize Tri-laser light sources that reproduce over 100% of the Rec.2020 color space. The PX-2 Pro is 500 ANSI Lumens brighter, but the AWOL Vision projector’s out-of-the-box color reproduction is a little better. While projectors support Dolby Vision, the LTV-2500 is compatible with HDR10+, while the Hisense PX-2 Pro is not.
NOMVDIC P2000UST-RGB $2999 MSRP
Another Tri-laser projector that retails for $2999 is the Nomvdic P2000UST-RGB. The Nomvdic is 500 ANSI Lumens brighter, but the LTV-2500 out-of-the-box picture quality is slightly better.
Regarding HDR image quality, the LTV-2500 also supports Dolby Vision and HDR10+, which the P2000UST-RGB does not. Both projectors include excellent sound systems, but the LTV-2500 supports Dolby Atmos and DTS Virtual X audio formats, while the P2000UST-RGB does not.
Both projectors come bundled with Amazon Firestick 4K Max dongles. However, the LTV-2500 has a compartment hidden behind the panel and houses a third dedicated HDMI input for the streaming stick and an additional USB power supply port, so there is no need for Fire TV’s AC adapter.
There are very few Laser TVs under $3000 that can match the LTV-2500's picture quality and features set. The AWOL Vision LTV-2500 is an excellent option for those seeking high brightness, excellent picture quality, immersive audio, and a cinematic experience at home. Its advanced features, combined with its user-friendly design and smart capabilities, make it a compelling choice for home entertainment enthusiasts and casual viewers alike. The LTV-2500 is highly recommended.
PROS
CONS
Full Specifications | |
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Projector Model | LTV-2500 |
Price | $2999.00 |
Imager Type | DLP (0.47” DMD) |
Displayed Resolution | 3840 x 2160 pixels |
Native Resolution | 1920 x 1080 x 4 pixels |
Brightness (Manufacturer Claim) | 3300 ANSI lumens (3500 Peak lumens) |
Light Source Type | RGB Triple Laser w/o phosphor wheel |
Light Source Life | 25,000+ hours |
Contrast Ratio | 2500:1 (1,000,000:1 Dynamic) |
Zoom Lens Ratio | Fixed |
Power Zoom/Focus | Yes - Focus |
Lens Shift | No |
Interchangeable Lens | No |
Ultra-Short Throw | Yes |
Native Aspect Ratio | 16:9 (Widescreen) |
HDTV/4K | Yes |
DVI or HDMI | Yes |
3D | Yes |
Blu-Ray 3D | Yes |
Speakers | 36W |
Noise Level (-db) | 30 dB |
Low Lag Gaming | Yes |
Smart Functionality | Yes |
Business | No |
Classroom | No |
Portable | No |
Special Features | Smart Home Networking, HDR10+, Dolby Vision |
Networking | Wireless |
Dimensions (WxDxH) | 23.6 inches x 13.9 inches x 5.7 inches (599 mm x 353 mm x 145 mm) |
Weight | 21 lbs. (9.5 kg) |
Warranty | 2 Year |